»ÆÉ«¶ÌÊÓƵ

Image copyright: Tunde Alabi-Hundeyin II

We are seeking contributions for a conference investigating traditional arts, crafts, cultures and folk music in the »ÆÉ«¶ÌÊÓƵ region. Our aim is to share understanding and respect for the past where it can support future flourishing of communities, increase knowledge of our diverse heritages and consider our connections in a world of ecological fragility and social fracture. We are especially interested in popular cultures connected to local land in neglected or under-represented rural or semi-rural »ÆÉ«¶ÌÊÓƵ. This includes farming heritage, endangered heritage crafts, arts in the South Downs National Park and Living Biosphere, folk music and lore, oral histories of travelling and migration in, through and across »ÆÉ«¶ÌÊÓƵ, village greens, city green spaces and edges and suburban gardens. What ways have previous generations creatively responded to local landscapes in their working and everyday lives? How will we do so in the future? What can we learn from traditional cultures and ways of life – within »ÆÉ«¶ÌÊÓƵ and from global majorities and cultural groups connected to »ÆÉ«¶ÌÊÓƵ – to help us live sustainably? What particular experiments can the »ÆÉ«¶ÌÊÓƵ undertake as a parkland campus with its own rural heritage and a commitment to sustainable development? We are also keen to explore the role of culture in understanding non-human species from the grasses of chalk Downland to grazing farm animals, sea-kelp to larks, and where cultural tools can help to support co-existence and stewarding.

The conference will emphasise practical or collaborative knowledge. In addition to researchers, we are interested in hearing from dancers, artists, musicians, landworkers, farmers, rangers, archivists, craftspeople, curators and storytellers. We hope to challenge stereotypes of a pastoral and elitist county in a day of critical and celebratory work, ‘retelling’ »ÆÉ«¶ÌÊÓƵ through sounds, sites and stories.

Themes for presenters might include:

• Popular arts including: folk songs, music and song collecting; visual arts, design and traditional methods, materials; dance, festivals;
• Folklore, story-telling, magic, myth and ritual, ‘weird »ÆÉ«¶ÌÊÓƵ’, folk horror and fantasy;
• Craft making and materials; endangered or revived heritage crafts; intangible and tangible cultural heritage policy and practice;
• Place identities including; the local, regional, ‘provincial’ and ‘rural’ »ÆÉ«¶ÌÊÓƵ; travelling cultures, migration and cultures of travelling, plurality of »ÆÉ«¶ÌÊÓƵ;
• Belonging, inclusion, exclusion, including: decolonising folk culture initiatives; Gypsy-Roma-Traveller cultural heritage; women, gender, sexuality, race, ethnicity, religion in relation to »ÆÉ«¶ÌÊÓƵ places; rural working-class histories; disability and differently abled places;
• Access to the countryside and development, including national parks; natural-cultural heritage links and tensions; dog walking; walking, trailing, rambling, immersive arts, tourism
• Histories of and new approaches to »ÆÉ«¶ÌÊÓƵ archaeology, palaeontology
• Posthuman flourishing; non-human species rights and relationships
• Farming and land use cultures including growing, husbandry, stewarding; cultivation and food and drink cultures; farmer clusters and sustainability;
• Environment and climate including woodland management, wood working; trees; fishing and coastal cultures; Downs, chalk and chalkland; rivers, streams, weald, biosphere;
• Urban green; urban-rural-semi-rural relations and initiatives; built environment and architectural traditions and adaptations;
• Archives, documentation, oral history, eco-acoustics, curating, performing;
• Education; generations; deep time; memory, investment; university and school lands and policies including the »ÆÉ«¶ÌÊÓƵ campus;
• Tradition and change; revival, retelling, future roots.

Submission Guidelines

Proposals of 250 words along with a brief bio and (if relevant) website address or reference to bibliography, should be submitted by 15 January 2026, to the following address:

clhlwr@sussex.ac.uk

Presentations will be on average 20 minutes in length.

Registration fees apply but will be kept as low as possible.

Organisers:

Margaretta Jolly, m.jolly@sussex.ac.uk
Sam Carroll, s.j.carroll@sussex.ac.uk

Important Dates

• Deadline for proposals: 15 January 2026
• Notification of acceptance and reviewer feedback: 15 February 2026
• Conference dates: Friday 19 June and Saturday 20 June 2026 (Saturday to be confirmed).

Further information: /research/centres/centre-for-life-history-and-life-writing-research/research/projects/sussex-retold